Martha Sherrill was born in Palo Alto, California and later raised in Los Angeles. She graduated from UCLA where she studied film and art history. After college, she worked at the Corcoran Gallery of Art in Washington, D.C. for three years before landing a job at The Washington Post, initially as a fashion assistant in the Style Section and then as an essayist and general assignment feature writer covering art, culture and politics.
During her ten year tenure at the Post, Sherrill became known for her penetrating studies of personality and society. She parlayed her knowledge of film into many memorable interviews with legendary directors and actors, including Clint Eastwood, Jodie Foster, Steven Soderbergh, Bernardo Bertolucci and Peter O’Toole. Her award-winning essays ranged from a portrait of homelessness to a psychological exploration of political fanaticism, a study of self-proclaimed happy people and a three-part series on the young life and philosophical evolution of Hillary Clinton.
A contributing editor at Esquire between 1995 and 2000, she specialized in profiles of complex and difficult interview subjects — including Don Imus, Rudy Giuliani, Steve Martin – and wrote a poignant, candid personal essay about Peter Sherrill, her enigmatic father, (“My Father, The Bachelor.”)
In her four books, Sherrill travels between fiction and nonfiction, gravitating to stories of group dynamics and unconventional lives — outliers, pioneers and strong individuals. Her first book, The Buddha from Brooklyn (Random House, 2000), a work of nonfiction, is a study of religious devotion inside a Tibetan Buddhist monastery in Poolesville, Maryland. Her next book, My Last Movie Star, (Random House, 2003), uses primary sources and Hollywood memoirs to study the vagaries of fame. The Ruins of California (Penguin Press, 2006) came next, a critically acclaimed coming-of-age novel set against the backdrop of the 1970s. Her most personal work to date, the book was inspired by Sherrill’s own struggle as a child to find balance in two radically different worlds – the vibrant bohemia of San Francisco’s North Beach and the staid conservatism of suburban Pasadena.
She returned to nonfiction with Dog Man: An Uncommon Life on a Faraway Mountain (Penguin Press, March, 2008), the inspiring saga of a man and his wife in the snow country of Japan during World War II. As much about marriage as it is about dogs, Sherrill’s talent for provoking candid interviews, use of archival research, and instinct for narrative come together to create an entire world — village life in the mountains of Japan — that most Americans know little about.
She lives in Massachusetts with her husband, writer and MIT Media Lab research scientist William Powers, and their son Will. In addition to private collaborations and commissions, she is finishing a second screenplay, The Shower, with co-writer Elsa Walsh. Their first feature film, Love Remains, about the intimate friendship between literary rivals Edith Wharton and Henry James, is being produced by Beacon Pictures. With Tokyo-based director John Williams, she is adapting her book Dog Man into a Japanese film.